The Naked Gun: Liam Neeson American Action Comedy Film

The Naked Gun: 2025 Liam Neeson American Action Comedy Film

Movie Name: The Naked Gun
Directed by: Akiva Schaffer
Starring: Liam Neeson, Pamela Anderson, Paul Walter Hauser, CCH Pounder, Kevin Durand, Cody Rhodes, Liza Koshy, Eddy Yu, Danny Huston
Genre: ActionComedy
Running Time: 
87 Minutes
Release Date: 01 August, 2025
Rating: 
Languages: English
Production House: Fuzzy Door Productions
Budget: $42 million

The Naked Gun: Overview

Film is an upcoming American action comedy film directed by Akiva Schaffer and written by Dan Gregor, Schaffer, and Doug Mand. The film is produced by Seth MacFarlane alongside Erica Huggins and serves as the fourth film in The Naked Gun franchise and a sequel to Naked Gun 33⅓: The Final Insult (1994). The film stars Liam Neeson as Frank Drebin Jr., alongside Pamela Anderson, Paul Walter Hauser, CCH Pounder, Kevin Durand, Cody Rhodes, Liza Koshy, Eddy Yu, and Danny Huston.

The film is scheduled to be released in the United States on August 1, 2025, by Paramount Pictures.

Principal photography began on May 6, 2024, in Atlanta, under the working title Law of Toughness, and wrapped on June 28.

The film is scheduled to be released in the United States on August 1, 2025. It was originally scheduled for July 18, 2025.

Movie Trailer:

Movie Review:

Liam Neeson and Pamela Anderson reboot the slapstick classic with laughs aplenty

Liam Neeson, with able support from Pamela Anderson, proves more than capable of revitalising the ZAZ formula of slapstick humour, deadpan delivery, voice-overs, sight gags and wordplay

There were moments when I laughed out loud in the empty theatre (sigh), including Miranda Rights (Carrie is the one who writes) and “take a chair” which brings back fond memories of ‘Johnny, how about a coffee?’ And of course there are many cups of coffee powering The Naked Gun.

The film opens with a bank robbery and a little girl skipping nonchalantly into the bank only to reveal herself to be… Lt. Frank Drebin Jr. (Liam Neeson). While the robbery is going on, a mysterious man, Sig Gustafson (Kevin Durand), gets a gadget, a P.L.O.T. Device, out of a locker and hands to another mysterious man, Richard Cane (Danny Huston), who drives away with it in a mysterious car.

The bank robbers are quickly dispatched Frank is on the road with rapidly replaced cups of coffee and a gravelly voiceover. Chief Davis (CCH Pounder) calls Frank and his partner, Capt. Ed Hocken Jr. (Paul Walter Hauser) in for a dressing down—the elite Police Squad is getting shut down, the bank robbers are suing and Frank has been reassigned to traffic.

Off Frank goes to check out a car crash, carefully putting on a glove on one hand while handling what might be an important clue with the other. He rules the accident, which killed a tech engineer, a suicide. Frank returns to his office to meet a curvaceous blond woman, Beth, (Pamela Anderson), who tells him her brother, Davenport, would not have committed suicide and there is more to his death than meets the eye.

Davenport was working for the green energy tech billionaire, Cane, and after carefully, or not-so-carefully interviewing the suspects (including one, Busta Rhymes, who was arrested for “man’s laughter or manslaughter”) Frank realises the two cases are connected.

There is an enchanted, jealous snowman, a long discussion on roasting turkey, another on cleaning out a dirty oven, many more cups of takeaway coffee and an owl, before all comes right in the end.

Neeson proves he has the special skills to step into Leslie Nielsen’s shoes. The legacy sequel to ZAZ (Jim Abrahams, David Zucker, Jerry Zucker) trilogy of Naked Gun movies, the film is funny without being so meta as to cannibalize itself.

There is even “Weird Al” Yankovic as himself who comes in the post credit scene to perform for the absent evil billionaires, a sequence where Dave Bautista steps in for Frank who is on a bathroom break and the credits rolling over the revolving lights of a runaway police car.

At 87 minutes, The Naked Gun does not overstay its welcome while conclusively proving it is worth coming to the theatres with friends for a guaranteed jolly good time.

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