O’Romeo: 2026 Shahid Kapoor Hindi Action Thriller Film Trailer, Review & Songs

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Movie Name: O’Romeo
Directed by: Vishal Bhardwaj
Starring: Shahid Kapoor, Triptii Dimri, Nana Patekar, Avinash Tiwary, Vikrant Massey, Tamannaah Bhatia, Disha Patani
Genre: Crime, Romance, Action
Running Time: 177 Minutes
Release Date: February 13, 2026
Language: Hindi
Rating:
Production Companies: Nadiadwala Grandson Entertainment
Budget: ₹150 Crore

In post-independence Mumbai, the underworld rises amidst a changing city. This gritty tale explores the criminal landscape of a bygone era, weaving through the streets and shadows of India’s bustling metropolis.

O’Romeo: Overview

O’Romeo is an upcoming Indian Hindi-language action thriller film written and directed by Vishal Bhardwaj. It is produced by Sajid Nadiadwala under Nadiadwala Grandson Entertainment. The film stars Shahid Kapoor, Triptii Dimri, Nana Patekar, Avinash Tiwary, Vikrant Massey, Tamannaah Bhatia and Disha Patani.

Principal photography began in January 2025 and took place primarily in Spain and Mumbai.

The music for the film was composed by Vishal Bhardwaj, with lyrics written by Gulzar. The audio rights of the film were acquired by T-Series. The first single, titled “Hum To Tere Hi Liye The“, was released on 16 January 2026.

The teaser of the film released on 10 January 2026.

O’Romeo is scheduled to release in theatres on 13 February 2026.

Movie Trailer:

#OfficialTrailer

Movie Review:

Romance and revenge blended with cinematic brilliance

Story:

Based on a chapter from Hussain Zaidi’s book Mafia Queens of Mumbai, O’Romeo draws inspiration from real-life events. It follows Afsha (Triptii Dimri) as she sets out to avenge her husband’s death at the hands of Jalal (Avinash Tiwary), roping in contract killer Ustara (Shahid Kapoor). However, their path is marked by bloodshed and tragedy, even as love begins to bloom.

Review:

Vishal Bhardwaj has repeatedly proven his grip on the Indian noir genre with Maqbool, Omkara, Haider, and more. Here, he attempts a gritty crime drama steeped in grime and gore, while weaving in romance and rage in equal measure, and largely succeeds. At the centre are Ustara, a local gangster, and Afsha, who is avenging the death of her husband, Mehboob Qureshi (Vikrant Massey), killed by underworld kingpin Jalal. This is not merely a revenge saga; as their paths collide, the narrative spirals into chaos and carnage.

The film plods in the first half, but Bhardwaj’s signature cinematic flair is visible throughout. It’s visually arresting and visceral, and no one can marry crime, poetry, and passion the way Bhardwaj does. Eccentric set pieces, such as an abandoned ship or a bullfight ring, and colour palettes win immediate notices. The frequent use of red complements the bloodbath, but the tonality seamlessly shifts to greys and blues to denote death — like in the sequence where Ustara and his friends are attacked in Nepal or Jalal’s wife Rabia’s (Tamannah) miscarriage.

The narrative gains momentum after the interval, and at nearly three hours, the film feels overlong. The pace slackens too often, with certain stretches feeling indulgent and testing the viewer’s patience. That said, the action sequences (by Dani Del Rasario and Vikram Dahiya) are mounted with precision and the twists keep the viewer invested. The world Bhardwaj creates is dreamy, chaotic, and dark all at once.

Ben Bernhard showcases his cinematographic finesse early on with an elaborate action sequence set to Madhuri Dixit-starrer Dhak Dhak. The track that unfolds in Nepal, the bullfight in Spain, and the masquerade sequence are visually arresting. Bhardwaj’s music adds a rich texture. Hum To Tere Hi Liye The reunites Gulzar, Bhardwaj, and Arijit Singh for a haunting melody. Ishq Ka Fever is catchy, while Aashiqon Ki Colony and Paan Ki Dukaan, despite their rooted energy, do not leave a lasting impression. Bhardwaj’s background score, however, stands out.

Shahid Kapoor is in top form, reuniting with Bhardwaj after Kaminey and Haider, and once again proving their creative synergy. Kapoor handles emotional scenes as smoothly as slick stunts, and his comic timing lands well. He brings intensity to Ustara, balancing menace with vulnerability. Triptii Dimri delivers a competent performance, portraying a woman torn between grief, love, and vengeance. Avinash Tiwary is effective as the menacing Jalal, even in a limited role. Nana Patekar as Inspector Ismail Khan and Tamannaah Bhatia as Rabia leave a strong impression in brief appearances, while Vikrant Massey feels underutilised. Even the minor characters deliver solid performances, and the camaraderie between the gangsters feels organic, providing some of the film’s funniest moments.

Despite frequent pacing issues that demand patience, O’Romeo is worth watching for its performances, atmosphere, and cinematic brilliance.