Movie Name: The Running Man
Directed by: Edgar Wright
Starring: Glen Powell, William H. Macy, Lee Pace, Emilia Jones, Michael Cera, Daniel Ezra, Jayme Lawson, Colman Domingo, Josh Brolin
Genre: Thriller, Action, Adventure, Sci-Fi
Running Time: 134 Minutes
Release Date: November 14, 2025
Rating:
Languages: English
Production House: Kinberg Genre, Complete Fiction
Budget: $110 million
A man joins a game show where contestants, allowed to go anywhere in the world, are pursued by “hunters” hired to kill them.
The Running Man: Movie Overview
The Running Man is an upcoming dystopian action thriller film co-produced and directed by Edgar Wright, who co-wrote the screenplay with Michael Bacall. It is based on the 1982 novel by Stephen King (under his pseudonym Richard Bachman). It is the second adaptation of the novel, following the 1987 film. The cast includes Glen Powell, William H. Macy, Lee Pace, Emilia Jones, Michael Cera, Daniel Ezra, Jayme Lawson, Colman Domingo, and Josh Brolin.
The Running Man is scheduled to be released in the United States by Paramount Pictures on November 14, 2025.
The first footage from the film was screened during Paramount’s CinemaCon presentation on April 3, 2025. It was introduced by Domingo, who was on stage with Wright, Powell, and Brolin.
The film’s first trailer was released on July 1, 2025, featuring a remix of “Underdog” by Sly and the Family Stone. To promote the trailer’s release, Glen Powell collaborated with social media influencer Ashton Hall by appearing in one of his “morning routine” videos, with the video ending with Hall watching the trailer in a private theater.
A game show called The Running Man pits a single “runner” contestant against a team of murderous Hunters whose job is to track him down and kill him. If the runner can stay alive for 30 days, he wins the grand prize of $1 billion.
The film is scheduled to be theatrically released on November 14, 2025. It was previously scheduled to be released on November 21, 2025, before being moved up to November 7, 2025, and then pushed back to its current date to avoid competition with Predator: Badlands. In addition to standard screens, it will be released in premium formats such as IMAX, 4DX, and Dolby Cinema.
Movie Trailer:
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Movie Review:
An entertaining chase with some predictable turns
Story:
A man struggling to make ends meet takes a desperate leap into a deadly game show where contestants are hunted down by a team of killers, guided by tips from a bloodthirsty audience. Can he outwit his hunters and survive this catastrophic contest?
Review:
Desperate times call for desperate measures – and that’s precisely what drives Ben Richards (Glen Powell) to risk it all. Recently unemployed and consumed by his temper, Ben’s home life is in free fall. His wife Sheila (Jayme Lawson) toils endlessly at demeaning jobs to fund treatment for their ailing child. When a flick through TV channels lands him on The Running Man, a brutal reality show where contestants are literally hunted for entertainment and survival, Ben sees a twisted way out of his misery. His rage and recklessness make him a perfect fit for the show’s ruthless producer, Dan Killian (Josh Brolin), who sees both ratings and redemption in his newest recruit. What follows is a nerve-wracking game of cat and mouse that tests not just Ben’s endurance, but his humanity.
Set in a dystopian world that eerily mirrors the spectacle-driven culture of ‘90s game shows, The Running Man feels both nostalgic and disturbingly current. Director and co-writer Edgar Wright, along with Michael Bacall, injects the 1982 Stephen King story with modern-day anxieties like AI manipulation, mass surveillance, and our addiction to manufactured drama. Yet despite these contemporary touches, the film’s core remains a familiar commentary on voyeurism and power. When the premise demands some suspension of disbelief – how a show broadcasting civilian murders escapes accountability, it’s the satirical intent that keeps it within reason.
Glen Powell delivers a solid turn as a desperate man cornered by circumstance, though his anger-fueled performance soon becomes predictable. His emotional beats play out too neatly, leaving little room for surprise. Josh Brolin, on the other hand, revels in his role as the conniving showrunner Killian, though his character’s over-the-top villainy borders on caricature. Still, the film succeeds in keeping viewers invested in the dangerous spectacle unfolding onscreen – a guilty pleasure that thrives on tension and moral ambiguity.
Chung-hoon Chung’s kinetic cinematography and Steven Price’s pulsating score complement the relentless chase, ensuring the pace rarely dips. The Running Man doesn’t reinvent its genre or outsmart its audience, but it delivers a slick, fast-paced survival thriller that’s both entertaining and thought-provoking.
In the end, it stands as a watchable, darkly satirical remake. One that reminds us of the terrifyingly blurred line between reality and entertainment in the age of constant spectacle.
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