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Carnatic Music by Ms. Anupama Srimali

Timing: 17:30 [December 20, 2008 - December 20, 2008]

Anupama Srimali, Sri A P Sarvothama

Indian Classical Music

Bangalore > Karnataka > India

 
 

Timing

: 17:30 onwards.

Start Date

: December 20, 2008

End Date

: December 20, 2008

Category

: Indian Classical Music

Artist

Anupama Srimali, Sri A P Sarvothama

Venue

: Indian Institute of World Culture

City

: Bangalore, Karnataka  [India]

 
Carnatic music by Ms. Anupama Srimali and party flute concert by Sri A P Sarvothama and Party.

Learn more about: Anupama Srimali

Anupama Shrimali (Ganabharathi at Veene Sheshanna Bhavana) gave her vocal recital, accompanied by H.S. Thandavamurthi (violin) and M.R. Manjunath (mridanga). Melodious voice made for expressions was congenial for depicting the deeper aspects of classical music. Deep graces set to two speeds, clear accents and a fine sense of shruthi in Thiruvottiyur Thyagayya's varna, "Karunimpa" (Shahana), amply denoted her sadhana and commitment.

Had she maintained the above fervor with an added flavor of versatility in the rest of the presentations, the entire picture would have definitely gone in her favor. The overall planning and approach seemed to have drifted more towards the lighter aspects. This attenuated impact could not command unreserved appreciations.

In the absence of significant spontaneity, the renderings mainly appealed by virtue of gentle vocal inflections, clarity in accents and a moderately slow pace that favored easy comprehension of the body of the texts. Jayachamaraja Wadiyar's "Shri Mahaganapathim" (Atana), Muthayya Bhagavathar's two compositions "Saarasamukhi" (Goudamalhar) and "Vanchatomune" (Karnaranjani), and Thyagaraja's "Nagumomu" (Abheri) trod very plain paths. Encouraging "Banturithi" (Hamsanada), "Maa Janaki" (Kamboji - both of Thyagaraja) featuring short alapanas and few strains of swarakalpana, flashed for a moment encouraging impressions of gaining necessary momentum. Of the 14 numbers, a neraval (at "Munimanasa") appeared only in "Rama Rama Gunaseema" (Simhendramadhyama - Swathi Thirunal).

In the alapana section, she admirably imbued into the sancharas all the features essential for a clear identification of the raga; yet, much of its substance remained unexplored.

Other highlights - Purandaradasa's "Chandrachuda" (Darbari Kaanada) and "Raagi Tandira" (Tilang), Vadiraja's "Govinda" (Ragamalika), and Vasudevacharya's Tillana (Kannada).
 

Carnatic Music, Anupama Srimali, Flute, A P Sarvothama, Vocal recital, H.S. Thandavamurthi, Violin, Shruthi, Thiruvottiyur Thyagayya varna, Karunimpa, Jayachamaraja Wadiyar, Shri Mahaganapathim, Atana, Banturithi, Hamsanada, Vanchatomune, Karnaranjani, Swarakalpana, Chandrachuda, Raagi Tandira, Govinda, Vasudevacharya Tillana, Kannada, Classical music