Starring: Ryan Reynolds, Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Brianna Hildebrand, Jack Kesy
Release Date: May 18, 2018
Running time: 119 minutes
Genre: Action, Adventure, Comedy
Foul-mouthed mutant mercenary Wade Wilson (AKA. Deadpool), brings together a team of fellow mutant rogues to protect a young boy of supernatural abilities from the brutal, time-traveling mutant, Cable.
Deadpool 2 is a 2018 American superhero film based on the Marvel Comics character Deadpool, distributed by 20th Century Fox. It is the eleventh installment in the X-Men film series and a sequel to the 2016 film Deadpool. The film is directed by David Leitch from a script by Rhett Reese, Paul Wernick, and Ryan Reynolds, with Reynolds starring in the title role alongside Josh Brolin, Morena Baccarin, Julian Dennison, Zazie Beetz, T.J. Miller, Brianna Hildebrand, and Jack Kesy. In the film, Deadpool forms the team X-Force to protect a young mutant from Cable.
Plans for a sequel to Deadpool began before that film’s release, and were confirmed in February 2016. Though the original creative team of Reynolds, Reese, Wernick, and director Tim Miller were quickly set to return for the second film, Miller left the project in October 2016 due to creative differences with Reynolds, and was soon replaced by Leitch. An extensive casting search took place to fill the role of Cable, with Brolin ultimately being cast. Filming took place in British Columbia, Canada, from June to October 2017.
Deadpool 2 premiered at Leicester Square in London on May 10, 2018 and is scheduled to be released in the United States on May 18, 2018. The film received generally positive reviews from critics, who praised its humor, performances (particularly Reynolds, Brolin and Beetz), and action sequences, with some calling it better than the first film, although the perceived ethnic stereotyping of supporting characters and a feeling of cynicism drew some criticism.
Deadpool 2 Movie Trailer:
Deadpool 2 Movie Plot:
Two years after killing the man who gave him mutant abilities, Wade Wilson has become a mercenary who works worldwide, killing various criminals under the moniker Deadpool. Following a failed assassination of the head of a New York drug cartel, Wilson returns home to his girlfriend Vanessa Carlysle to celebrate their anniversary. The two decide to start a family. Later that night, the drug lord attacks Wilson at his home and kills Vanessa. Wilson chases the criminal through the streets and engages him on the road before a truck hits them, killing the drug lord.
Six weeks later, Wilson decides to commit suicide by blowing up his apartment with several barrels of high-grade fuel. Wilson has a vision of Vanessa in the afterlife; she says that his heart is not the right place yet, leaving Wilson confused. Colossus arrives at the now-destroyed apartment and brings a dismembered Wilson back to the Xavier Mansion in an attempt to recruit him into the X-Men and help him through his grief. Wilson agrees to join, and together with Colossus and Negasonic Teenage Warhead, responds to a situation involving a young mutant named Russell Collins. Collins, who calls himself Firefist, has fire-like abilities, enabling him to produce extremely high temperatures from his fists that can ignite objects. After several failed attempts to calm Russell down, Wilson discovers that the headmaster and staff of the orphanage have physically abused him, and shoots one of the staff members in anger. Both Wilson and Russell are arrested and restrained with collars that negate their mutant powers, including Wilson’s healing factor that counteracts his terminal cancer.
Wilson and Russell are taken to the Icebox, an isolated prison that houses several dozen mutant criminals wearing similar collars. During their incarceration, the facility is broken into by Cable, a cybernetic mutant from the future who has traveled back in time to kill Russell. Wilson manages to throw himself and Cable out of the prison while Russell stays inside. Wilson has another vision of Vanessa who helps him realize that he has a chance to save the boy and redeem himself for not being able to save Vanessa.
Wilson organizes a team of mutants to fight Cable and save Russell, whom he calls X-Force. The team launches their assault on a prison truck transporting Russell by leaping from a plane and parachuting in, though all members other than Wilson and Domino die in the landing. Russell frees the Juggernaut, who destroys the truck and escapes with Russell. Cable decides to team up with Wilson and they plan to stop Russell from killing the abusive headmaster, an act which sets Russell down a path that ends with the death of Cable’s family.
Wilson, Cable, and Domino arrive at the orphanage to stop Russell and the Juggernaut but face difficulty fighting the latter, who proves too powerful for them. Colossus arrives and distracts the Juggernaut long enough for Cable and Wilson to catch up with Russell. They manage to reach Russell before he can kill the headmaster and Wilson attempts to calm him down, putting on the power-suppressive collar and offering himself in the headmaster’s place. Cable shoots at Russell, but Wilson leaps in front of the bullet and is hit in the heart. Wilson dies and Russell loses his desire for revenge, saving Cable’s family in the future. Wilson’s death allows him to reunite with Vanessa, though she again tells him that it is not yet his time. Cable travels back before the fight and discreetly places the skee-ball token he had previously taken from Wilson over his heart, stopping the bullet. The headmaster is run over by Dopinder, Wilson’s taxi driver friend, following some additional anti-mutant remarks.
Wilson has Negasonic Teenage Warhead and her girlfriend Yukio repair Cable’s time-traveling device to allow him to perform several tasks, including saving Vanessa and Peter—an X-Force member—from their deaths, killing X-Men Origins: Wolverine’s version of Deadpool in an effort to “fix the timeline”, and shooting actor Ryan Reynolds after he reads and approves the screenplay for the Green Lantern film.
Deadpool 2 Movie Review:
In the panoply of superhero movies… Panoply? That sounds wrong; it’s too pretentious. And who says ‘panoply’ anyway? Deadpool would never approve. Let’s try that again. Ahem. There is a plethora of… Ugh. No. Third time’s the charm. Let’s do this. In the pantheon of superhero movies… There we go! Finally. In the pantheon of superhero movies, few are as proudly individualistic as Tim Miller’s Deadpool, and, as Deadpool himself wastes no time in reminding us, few have been as successful.
Following this sort of success can never be easy. For instance, while a loyal fanbase has been cultivated and solid goodwill established, a line has also been drawn. Invites have been revoked. Factions have formed. Those who weren’t completely on board with the tone Miller and star Ryan Reynolds established in the first film have absolutely no business gatecrashing this party, and nor have they been made welcome.
Deadpool 2 is more violent than the first movie. It’s also way filthier, magnificently tone-deaf and utterly relentless in the sodden path that it has chosen to walk. I liked it better than the first film, but in the interest of absolute honesty, I must confess that I wasn’t quite as taken by the first Deadpool as you lot seemed to have been. So I walked into Deadpool 2 fully prepared to feel left out, like Hawkeye in Avengers: Infinity War. Ignored. But I was in for the most unpleasantly pleasant surprise. And before this review is over, I will have compared Deadpool 2 to The Dark Knight. And also the Scary Movie series.
Immediately – in the very first scene, in fact – it is made quite apparent that Deadpool 2 isn’t quite the sequel you would’ve expected. And honestly, it wasn’t really difficult – considering the self-referential nature of the beast – to form a theory as to where Deadpool 2 would take the Merc with the Mouth. Of course he was going to make jokes about cashing in on his own popularity and making a rushed sequel. Of course he was going to make fun of the nature of sequels – and their poor hit rate -in general. And he does. Duh.
But Deadpool 2 is more than just a rushed sequel. It’s a rushed sequel that wants to be good. It’s a movie with surprising depth and, especially in how it handles the story of a certain teenage character, devastating darkness.
It catches up with Wade Wilson, Mr Pool to the rest of us, a few years after the events of the first movie. He still looks like a hard boiled Voldemort, and he’s still running that mouth like there’s no Deadpool 3. Taken by his spirit in their adventures together, Colossus and Negasonic Teenage Warhead invite him to tag along on a trial basis for the X-Men, and on that mission he meets young Russell.
Russell is a young mutant who has been locked up in an orphanage his entire life, a torturous place where he has suffered terrible abuse at the hands of a creepy conservative warden who wants to purge mutants like him of their powers.
But Russell is hot property – a time travelling cyborg as unstoppable as Deadpool’s ability to conjure pop-culture references is hot on his trail. His name is Cable, and he has certain information about the future that forces him to intervene in this timeline – and especially Russell’s destiny. This sets Wade – who decides that the young mutant has given his life the purpose that it has been lacking – and Cable – who wants nothing but revenge – on a collision course.
Despite this rather grim-sounding premise, a lot of how much you like Deadpool 2 will depend on your tolerance for a reference-a-minute. In that department, it blows Steven Spielberg’s recent film, Ready Player One, clean out of the water. After a point, the dialogue in Deadpool 2 sounds like you’re listening to a particularly excitable foreigner. As you are assaulted by a barrage of words – unrelenting, unstoppable, even in the most serious of scenes – your brain sedates itself, and begins to filter out only the most familiar ones.
And as expected, the audience at my screening reacted loudly every time Deadpool took a swipe at the Marvel Cinematic Universe, or Wolverine, or Reynolds’ Green Lantern. These are easy targets. This is old material. Jokes about Jesus, Yentl, and – God help us all – the Me Too movement, however, were met with stony silence. There has to be a scientific reason behind the satisfaction one derives from understanding a reference designed to be exclusive – perhaps it offers a sense of intelligence where there might not necessarily be any, but the answer’s probably way simpler than that. In that regard, Deadpool 2 – and even the first one – isn’t unlike those terrible Scary Movie movies – at least when it’s in attack mode – but what makes Deadpool significantly better in quality is that the references it pounds you over the head with aren’t empty, but brimming with context – although the depth of this context is rather sketchy.
And like the comedy – which doesn’t pull punches, a commitment to the cause that I admire – another significant improvement comes in the form of the action. But then, what else could you expect from David Leitch, the man who replaced Miller in the director’s chair after Miller had a falling out with Reynolds, and who is described in the credits as ‘one of the guys who killed John Wick’s dog’. Besides the knockout John Wick, Leitch also directed what I consider to be one of the best action sequences of the decade — in his Cold War spy thriller, Atomic Blonde. Both those movies highlight his knack for stylised action and careful world building, which came quite handy in Deadpool 2, the film which gives us our first cinematic X-Force.
He’s made a movie that feels just as much his own as it does a Deadpool sequel. It occupies that same hyper-real fantasia of the first film, but with enough flair – certainly visually – to feel independent of the original. Like Christopher Nolan’s Dark Knight trilogy, in which each film is stylistically and tonally different from the others – the titles are the most obvious giveaway – Deadpool 2 is just as individualistic as the first movie. It’s a film that requires every moment of your undivided attention, right through to the inspired post-credits scene – and it thoroughly deserves it.