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Bumblebee Movie

Bumblebee Movie: Hollywood Sci-Fi Action

Movie Name: Bumblebee Movie
Directed by: Travis Knight
Starring: Hailee Steinfeld, John Cena, Jorge Lendeborg Jr., John Ortiz, Jason Drucker, Pamela Adlon
Genre: Action, Sci-Fi, Adventure
Release date: 04 January 2019
Running Time: 114 Minutes
Rating:

Bumblebee Movie Profile

Bumblebee is a 2018 American science fiction action film centered around the Transformers character of the same name. It is the sixth installment of the live-action Transformers film series and a prequel / soft reboot to 2007’s Transformers. Directed by Travis Knight in his first live action film and written by Christina Hodson, the film stars Hailee Steinfeld, John Cena, Jorge Lendeborg Jr., John Ortiz, Jason Drucker, and Pamela Adlon, with Dylan O’Brien, Angela Bassett, Justin Theroux, and Peter Cullen in voice roles. It is the first live-action Transformers film not to be directed by Michael Bay, though he still acts as a producer. Principal photography on the film began on July 31, 2017, in Los Angeles and San Francisco, California.

Bumblebee premiered in Berlin on December 3, 2018, and was released in the United States on December 21, 2018, in 2D, Real D 3D, Dolby Cinema and IMAX. The film received positive reviews from critics, who praised the action and Steinfeld’s performance, as well as the 1980s setting and sense of nostalgia, with most calling it the best installment of the Transformers franchise.

Bumblebee Movie Trailer

Bumblebee (2018) – Official Teaser Trailer – Paramount Pictures

Bumblebee Movie Plot

On Cybertron, the Autobot resistance, led by Optimus Prime, are on the verge of losing the civil war with the Decepticons, and are preparing to evacuate the planet. The Decepticons intercepted them during the evacuation, and Optimus sends B-127 to Earth in order to set up a base of operations where the Autobots can regroup.

In 1987, B-127 reaches Earth alone, crash-landing in California and disrupting a training exercise by Sector 7, a secret government agency that monitors extraterrestrial activity on Earth. Colonel Jack Burns presumes B-127 to be a hostile invader and attacks, driving B-127 into the forest, where the Decepticon Blitzwing ambushes him. When B-127 refuses to reveal Optimus’s whereabouts, Blitzwing tears out his voicebox and damages his memory core; despite this, B-127 kills Blitzwing. Before collapsing from his injuries, B-127 scans a nearby 1967 Volkswagen Beetle.

Charlie Watson is a teenage girl traumatized by the death of her father and resentful of her mother Sally for remarrying. Charlie finds a yellow Volkswagen Beetle in a scrapyard belonging to her uncle Hank, who gives it to her as an 18th birthday present. Charlie unknowingly activates a homing signal that is detected by Decepticons Shatter and Dropkick as they interrogate and execute Autobot Cliffjumper on one of Saturn’s moons. The pair head to Earth, and pretend to be peacekeepers, persuading Sector 7 to help them find and capture B-127, whom they claim is a fugitive.

While Charlie attempts to fix the Beetle, it transforms into the amnesiac B-127, whom she befriends and nicknames “Bumblebee”. They unlock a message from Optimus urging Bumblebee to defend Earth in their absence, which restores some of his memories. Bumblebee is discovered by Charlie’s neighbor Memo, who agrees to protect their secret due to his feelings for Charlie. Left alone, Bumblebee accidentally destroys Charlie’s home and causes an energy spike that attracts Sector 7’s attention. When Sally blames Charlie for the destruction, Charlie angrily leaves with Bumblebee and Memo, only to be intercepted by Sector 7. Bumblebee is captured while Charlie and Memo are returned home.

Charlie finally expresses her pain over her father’s death and makes amends with her brother Otis, who helps Charlie follow Burns to the Sector 7 outpost where Bumblebee is being held. Shatter and Dropkick torture Bumblebee into revealing the Autobots’ whereabouts, discovering that the Autobots are coming to Earth. They leave him for dead after revealing their plan to bring the Decepticons to Earth. After alerting Burns to the truth about the Decepticons, Powell is killed by Dropkick.

Charlie electro-shocks Bumblebee back to life, restoring his memories. After fighting past Burns’ obstruction and attempt to re-secure Bumblebee, Charlie and Bumblebee set out to prevent Shatter and Dropkick from contacting the Decepticons using a radio tower at a nearby harbor. Burns and his men also intervene, but their helicopter crashes only to be saved by Bumblebee.

Bumblebee kills Dropkick and Charlie deactivates the Decepticon beacon, causing an enraged Shatter to pursue her. Bumblebee destroys a dam wall, triggering a flood. Shatter is crushed under the rubble, while Bumblebee is rescued by Charlie. Burns allows them time to escape before the army arrives. Charlie, realizing that Bumblebee has a greater purpose on Earth, says goodbye, and returns to her family. Bumblebee scans a 1977 Chevrolet Camaro and drives away, meeting up with Optimus as more Autobot ships arrive on Earth.

Bumblebee Movie Review

To call Bumblebee the best movie in the Transformers series wouldn’t be a stretch. But it would be damning with faint praise – like saying that Baby is the best Justin Bieber song, or that frying is the best way to cook a horse’s intestines.

For over a decade, the metal monsters have clashed and clanged on the big screen for our enjoyment, to decidedly diminishing returns and set to an increasingly ‘leery, laddish’ tone, as critic Mark Kermode describes it. And along comes Bumblebee, a spin-off with the heart of a Miyazaki movie and the innocence of a bygone era, just about tolerable enough for you to not actively dislike it.

Not only will it be nostalgic for the children of the ‘80s – a decade that is currently experiencing a cinematic resurgence – but it also holds an unmistakable fondness in its heart for the first Transformers movie, which was instrumental in breeding a whole new generation of fans.

For all his faults – and there are so many – director Michael Bay’s original Transformers film remains my favourite movie of the lot; a loud, emotional adventure with stunning action and a terrific central performance by Shia LaBeouf. Even the most annoying of Bay’s tendencies – rancid humour, cringeworthy product placement, lurid visuals – were ignored. There can be no defence, however, of his terrible follow-ups, which hit rock bottom in 2017 – exactly a decade after the first film – with the almost unwatchable Transformers: The Last Knight.

For years, Bay has adamantly refused to relinquish his throne as the overlord of the Transformers universe. Until now. When his last film suffered the only sort of blow that is considered irrecoverable in the movie business – a poor showing at the box office – Bay was forced to vacate his position. No longer bound to his immature vision, Paramount hired the unlikely Travis Knight to direct the first in a planned series of spin-offs, intended to distance the future of the franchise from its past.

Knight’s affection for the world of the Transformers – particularly for the toys that he grew up playing with – is palpable in his film. Certainly, it hits many of the same marks as Bay’s first movie – it could even be argued that Bumblebee is a better thought-out remake – but crucially, has an entirely different tone. A misfit teenager does stumble across a ramshackle, unwanted car; villains arrive on Earth like meteors from outer space; and cartoonish government agents chase everyone around – but on no occasion does someone get peed on, and there is not a single masturbation joke in sight.

The Oscar-nominated Hailee Steinfeld plays Charlie Watson, a 17-year-old (going on 18) still in mourning for her dead father, and unable to accept just how quickly her mother (Pamela Adlon) has moved on. She’d much rather spend her time tinkering in the scrapyard, listening to The Smiths, than learning to smile from a guidebook gifted to her by her mother’s new partner.

On one of her many afternoons in the junkyard – Charlie spends her summer days working at the amusement park, frying corndogs – she notices a rusty Volkswagen Beetle, hidden under a dusty tarp. The connection, as it will be in the future with Sam Witwicky, is instant.

The car is, of course, everyone’s favourite Transformer, Bumblebee – which Charlie discovers rather quickly. This was a welcome move, on screenwriter Christina Hodson’s part – none of that needless messing about, playing hide and seek with Bee’s disguise, when we all know that Charlie would eventually have to discover her car’s true identity for the plot to proceed.

In the film’s opening scene – unfortunately reminiscent of the older Transformers movies – Optimus Prime, leader of the Autobot resistance, sends Bumblebee to Earth, as a scout for what could possibly be their temporary new home. Upon Bee’s arrival, he is ambushed by stray military men, lead by John Cena’s character, and in the ensuing fight loses his voice.

Unlike Bay’s movies, which looked at the Transformers as aliens, Knight’s film sees them mostly as animals caught in a turf war, with the metallic cityscapes of Cybertron serving as their jungle.

The Decepticons are predators, and the Autobots noble elephants, perhaps. Bumblebee is merely a lost puppy, caught in the middle of a battle that he can’t quite comprehend – at least not yet. This is reflected in some of the dialogue – ‘Why did you bring it inside the house?’ asks Charlie’s mother; ‘If they make one wrong move we put them down,’ commands Cena’s villain later on.

The friendship that Charlie forms with Bumblebee, thanks mostly to Steinfeld’s strong performance and Knight’s novel characterisation of Bee, is easily the best thing about his movie. While it isn’t as adorable as the brotherly love that Sam shared with Bee in the first Transformers movie, it certainly isn’t as ineffectual as the relationship Bee had with Mark Wahlberg’s character in the last couple of films. They had all the chemistry of two clashing strangers trapped next to each other on a long flight.

But warmth is the emotion most synonymous with Knight’s films. Through his studio, Laika, Knight has produced some of the finest artisanal animated films of recent times. Besides not ruffling too many feathers, and retaining the DNA of what made Bay’s movies so popular – he even ends it with one of those insufferable long drawn-out action scenes – Knight spends a great amount of time developing his characters, two outsiders who find comfort in each other’s company.

For a series that was on the verge of being dismantled and sold for scraps, much like Bumblebee, it has found a saviour. Knight has lived up to his name. The Transformers can wear his shiny armour.

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