Jahangir's wife, Nur Jahan, was an excellent conversationalist, a fine judge of Persian poetry and a poet herself. Her accomplishments made her an irresistible companion for the emperor. Nur Jahan was a patron of painting and architecture whose interests also extended to the decoration of rooms as well as the designing of ornaments, brocades, rugs and dresses. The fashions in women's clothing that she adopted were still in vogue at the end of the 16th century.
Nur Jahan was Jahangir's favorite companion. She shared his interests in fine artistic objects and precious stones. Nur Jahan also assisted Jahangir in the layout and design of Persian gardens like the beautiful Shalimar-Bagh on the Dal Lake in Kashmir.
Jahangir's love of flowers and animals is reflected in the numerous miniatures painted by artists who shared their master's keen eye for the beauties of wild nature. Sir Thomas Roe, the ambassador of James I of England, was amazed at Jahangir's knowledge and discriminating taste where pictures were concerned.
Jahangir was not particularly interested in architecture, but one of the buildings that dates from his reign ranks among the finest achievements of the Mughal spirit. This is the tomb of Mirza Ghiyath Beg, usually known by his title I'timad ad-Dawlah (Pillar of the State), built at Agra by Nur Jahan (Light of the World) for her father who died in 1622. The tomb stands in a quadripartite garden. The enclosure walls, a guest-house on the river Yamuna and the podium are made of traditional red sandstone inlaid with colored marble.